what a pro report looks like
real report from a real mix. health score, the roast (5 lines), full frequency analysis per band, dynamics, stereo image, clarity, mastering readiness, and a prioritized action plan.
This is an unmastered mix with some serious potential but also a few glaring issues that need to be addressed before it hits the mastering stage. The integrated loudness of -14.1 LUFS is within an acceptable range for an unmastered mix, providing adequate headroom for further processing. However, your true peak level at -0.2 dBTP is a major red flag, indicating there's practically no headroom left and a risk of clipping during mastering. The frequency balance reveals a dark and somewhat dull mix, with a significant lack of highs (-4.7 dB) which could rob the track of its openness and sparkle. Additionally, your stereo width is extremely wide at 94%, but the phase correlation is worryingly low at 0.09, suggesting potential mono compatibility issues.
The unmastered mix of 'Lost City' sits at -14.1 LUFS, providing ample headroom for mastering, but the true peak at -0.2 dBTP is a major concern. The mix is dynamically healthy, with a wide stereo image that risks mono compatibility. High frequencies are underrepresented, lending a dull character to the track. Address these critical issues before moving to the mastering stage.
- Healthy integrated loudness at -14.1 LUFS, good for mastering.
- Dynamic range of 12.0 LU provides a solid punch.
- Bass frequencies add substantial weight and punch.
- Low-mids are warm and contribute to the mix's body.
- True Peak of -0.2 dBTP leaves no headroom for mastering.
- High frequencies are too recessed, resulting in a dull mix.
- Phase correlation is low at 0.09, risking mono compatibility.
- Stereo width at 94% may cause issues on mono playback devices.
The bass frequencies are +2.0 dB heavy, giving the mix solid weight and punch. It's a strong foundation, but be cautious of potential boominess.
High frequencies are significantly underrepresented at -4.7 dB, resulting in a dark and closed-off sound.
Low-mids are slightly boosted by +1.2 dB, providing warmth and body without being overly boxy.
High-mids are slightly recessed at -1.3 dB, which might be reducing clarity and detail.
The dynamics are well-maintained with a crest factor of 13.9 dB and a loudness range of 12.0 LU, allowing for a mix that breathes and feels lively.
The stereo image is very wide at 94%, which can be engaging but poses a risk for mono compatibility with a phase correlation of 0.09.
Overall clarity is compromised due to recessed high frequencies and a wide stereo field that may cause phase issues.
Low-mids are mostly controlled but keep an ear out for any muddiness around 300-500Hz.
No significant harshness in the 2-5kHz region.
Before mastering, address the true peak issue to ensure enough headroom, and improve the high frequency balance to prevent dullness.
Lower the master fader by at least 1 dB to increase headroom.
>Youlean Loudness Meter (free) for monitoring levels.
Apply a high shelf boost of about 3-4 dB from 10kHz upwards.
>FabFilter Pro-Q3 (paid) or TDR Nova (free).
Use a stereo imaging plugin to narrow the width slightly and correct phase issues.
>Ozone Imager (free) or Waves S1 Stereo Imager (paid).
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